Systaime, de son vrai nom Michaël Borras est un plasticien contemporain français .

Artiste du multimédia et des réseaux, Systaime est le fondateur du mouvement French Trash Touch (créé en 1995, attesté en 2003), membre de l’internationale échantillonniste, il est un acteur important du réseau artistique alternatif international, de l’art numérique et de l’art en réseau.

Michaël Borras intervient sur de nombreux événements artistiques internationaux en tant que producteur, organisateur, conférencier, commissaire d’exposition et créateur.

En 2011, il est l’instigateur et le fondateur du Spamm, musée des Arts super modernes.

Depuis 2012, il est également chroniqueur pour l’emission l’Oeil de Links diffusée sur Canal +.

En Mars 2013, il organise avec Ellectra Radikal, l’exposition Spamm Cupcake à New York sur l’invitation de Marc Brown.

En Juillet 2013, Il réalise le clip « Sexodrome » pour Asia Argento et réalise les visuels lors de la soirée de lancement de l’album « Total entropy » au Silencio ( Club privé de David Lynch ) à Paris.

Fin Juillet 2013, Il organise avec Miyö Van Stenis et Helena Acosta, l’exposition SPAMM Dulce au musée d’art contemporain de Caracas au Venezuela.

En novembre 2013, il est invité par le Ministère de la Culture et de la Communication à participer à la conférence « Transmettre la culture à l’ère du numérique ».

En 2014, il est à nouveau invité par le Ministère de la Culture et de la Communication pour réaliser un workshop dans le cadre de Silicon Valois.

En mars 2014, il conceptualise et réalise la série « Dr BooBoo » diffusée sur la plateforme internet, Arte Créative.

En juin 2014, il s’associe avec Nicolas Kantorowicz (Sporto Kantes, Ex-Wampas) pour créer : Systaime X Kantes. Avec Dj Kantes (Nicolas Kantorowizc), ils sont invités par l’Institut Français pour une tournée en Indonésie et en Thaïlande, ils réalisent des lives audio/video dans les villes de Yogyakarta, Surabaya, Bandung, Bali et Bangkok.

En juillet 2014, il organise le Festival « Digital Vision ».

En septembre 2014, il organise avec Helena Acosta et Alan Schaffer l’exposition « Spamm Webtics » à New York.

( More infos on Wikipedia )

 

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#SYSTAIME #WIKIPEDIA (EN ) #TV #BOOKING #CONFERENCE ( SPEECH ) #GOOGLE #TWITTER #FACEBOOK #VIMEO #YOUTUBE #PRESS #INSTAGRAM #TUMBLR #CONTACT# #CLIP #NETICONES #SPAMM #NEWS #SAATCHI # FASHION ALL OVER #VINE #ASIA ARGENTO #BIO #GIF ART #DEDIPIX #GOOGLE MAPS BITCHES #SOUNDCLOUND #SUN OF MONEY #WHO IS SYSTAIME ? #TRACKS #SUPPORT #SILENCES #ACNLRYS #AUDIO/VIDEO MIX / #DRBOOBOO

ENTER Systaime, de son vrai nom Michaël Borras est un plasticien contemporain français .

Artiste du multimédia et des réseaux, Systaime est le fondateur du mouvement French Trash Touch (créé en 1995, attesté en 2003), membre de l’internationale échantillonniste, il est un acteur important du réseau artistique alternatif international, de l’art numérique et de l’art en réseau.

Michaël Borras intervient sur de nombreux événements artistiques internationaux en tant que producteur, organisateur, conférencier, commissaire d’exposition et créateur.

En 2011, il est l’instigateur et le fondateur du Spamm, musée des Arts super modernes.

Depuis 2012, il est également chroniqueur pour l’emission l’Oeil de Links diffusée sur Canal +.

En Mars 2013, il organise avec Ellectra Radikal, l’exposition Spamm Cupcake à New York sur l’invitation de Marc Brown.

En Juillet 2013, Il réalise le clip « Sexodrome » pour Asia Argento et réalise les visuels lors de la soirée de lancement de l’album « Total entropy » au Silencio ( Club privé de David Lynch ) à Paris.

Fin Juillet 2013, Il organise avec Miyö Van Stenis et Helena Acosta, l’exposition SPAMM Dulce au musée d’art contemporain de Caracas au Venezuela.

En novembre 2013, il est invité par le Ministère de la Culture et de la Communication à participer à la conférence « Transmettre la culture à l’ère du numérique ».

En 2014, il est à nouveau invité par le Ministère de la Culture et de la Communication pour réaliser un workshop dans le cadre de Silicon Valois.

En mars 2014, il conceptualise et réalise la série « Dr BooBoo » diffusée sur la plateforme internet, Arte Créative.

En juin 2014, il s’associe avec Nicolas Kantorowicz (Sporto Kantes, Ex-Wampas) pour créer : Systaime X Kantes. Avec Dj Kantes (Nicolas Kantorowizc), ils sont invités par l’Institut Français pour une tournée en Indonésie et en Thaïlande, ils réalisent des lives audio/video dans les villes de Yogyakarta, Surabaya, Bandung, Bali et Bangkok.

En juillet 2014, il organise le Festival « Digital Vision ».

En septembre 2014, il organise avec Helena Acosta et Alan Schaffer l’exposition « Spamm Webtics » à New York.

( More infos on Wikipedia )

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BIO
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Systaime, de son vrai nom Michaël Borras est un plasticien contemporain français .

Artiste du multimédia et des réseaux, Systaime est le fondateur du mouvement French Trash Touch (créé en 1995, attesté en 2003), membre de l’internationale échantillonniste, il est un acteur important du réseau artistique alternatif international, de l’art numérique et de l’art en réseau.

Michaël Borras intervient sur de nombreux événements artistiques internationaux en tant que producteur, organisateur, conférencier, commissaire d’exposition et créateur.

En 2011, il est l’instigateur et le fondateur du Spamm, musée des Arts super modernes.

Depuis 2012, il est également chroniqueur pour l’emission l’Oeil de Links diffusée sur Canal +.

En Mars 2013, il organise avec Ellectra Radikal, l’exposition Spamm Cupcake à New York sur l’invitation de Marc Brown.

En Juillet 2013, Il réalise le clip « Sexodrome » pour Asia Argento et réalise les visuels lors de la soirée de lancement de l’album « Total entropy » au Silencio ( Club privé de David Lynch ) à Paris.

Fin Juillet 2013, Il organise avec Miyö Van Stenis et Helena Acosta, l’exposition SPAMM Dulce au musée d’art contemporain de Caracas au Venezuela.

En novembre 2013, il est invité par le Ministère de la Culture et de la Communication à participer à la conférence « Transmettre la culture à l’ère du numérique ».

En 2014, il est à nouveau invité par le Ministère de la Culture et de la Communication pour réaliser un workshop dans le cadre de Silicon Valois.

En mars 2014, il conceptualise et réalise la série « Dr BooBoo » diffusée sur la plateforme internet, Arte Créative.

En juin 2014, il s’associe avec Nicolas Kantorowicz (Sporto Kantes, Ex-Wampas) pour créer : Systaime X Kantes. Avec Dj Kantes (Nicolas Kantorowizc), ils sont invités par l’Institut Français pour une tournée en Indonésie et en Thaïlande, ils réalisent des lives audio/video dans les villes de Yogyakarta, Surabaya, Bandung, Bali et Bangkok.

En juillet 2014, il organise le Festival « Digital Vision ».

En septembre 2014, il organise avec Helena Acosta et Alan Schaffer l’exposition « Spamm Webtics » à New York.

( More infos on Wikipedia )

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Artist of the multimedia and the networks, Michaël Borras A.K.A Systaime is the founder of the movement French Trash Touch (created in 1995, stopped in 2003), member of » the international échantillonniste », he is an important actor of the international alternative artistic network, the digital art and the art in network.

Michaël Borras works on numerous international artistic events as producer, organizer, speaker, art curator .

In 2011, he is the inspirator and the founder of the Spamm, the Museum of the Super Modern Arts.

Since 2012, he is also columnist for the tv show l’Oeil de Links broadcasted on Chaine Canal +.

In Mars 2013, he organizes the exhibition Spamm Cupcake in New York at invitation of Marc Brown.

In July, 2013, He realizes the clip » Sexodrome » for Asia Argento and creates the visuals for the show » entropy Total » in Silencio the David Lynch’s exclusive club in Paris.

 

Systaime, it is the anti-system of the art. Systaime, aka Michaël Borras, is a pure shoot of Net, a datamoshing and smash up virtuoso. what ? Don’t u live in the snares of Web ? Aren’t emoticons and other favicons part of your vocabulary? Systaime dethrones the icons of the webculture as others unbolted the statues of Lenin, Stalin or Moubarak. Without hierarchy nor respect, he copies like crazy, uses and makes and over uses The Internet foklore, that visual culture which did not stop coming out screens down to streets, to fashion, to people.

The French Trash Touch creator mixes the pop culture, net culture, low and high culture. Systaime is an alive embodiment of the flow. The flow? This continuous and almost infinite heap of datas, these datas made with the zero and the one of the digital universe, the basis of all images, videos, sounds circulating on our screens, phones, computers. Lol cats and boobs, same fight! Systaime deteriorates, with the help of his digital scissors, signs, symbols, images, video clips of our network culture.

Systaime moves, opens up, destroys to bring a new breath in his videos, tweetos and other images the spirit of pirates, of pionners of the cyberculture. Brilliantly, shining (like diamonds), glittering and always with a great sense of humor. His life is a flow as his art is a remix of the flow. How to plan the internet flow ? Impossible but for sure Systaime’s exhibition will spot the space.

Systaime exhibits himself and the Web, without licked screen nor trickle of flashy modern media . We will see the anonymous samples of our vernacular contents, we will get our digital addictions slim minced, electronic waste recycled in Systaime way, a theory of thread and paper, frames and other contributions. Systaime does not sort out, he accumulates , grazing politicians by pushing them to silence, spamming like crazy to occupy the net as the space.

The historic agitator who, with his Super Art Modern Museum ( SPAMM), gained widespread acceptance by exposing on-line and in town the Tom Thumbs of the digital culture, from Caracas to Milan, from New York to Brussels, from the Internet to Irl. In the scrubland of signs which he has deposited, each one of us will look for his own way, with Systaime mantras as the only subliminal advices. reject the smooth excess and the quite virtual, forget the ambient digital standardization, choose bricolo-techno rather than the giant of the hi-tech, live the flow!Systaime, it is the anti-system of the art. Systaime, aka Michaël Borras, is a pure shoot of Net, a datamoshing and smash up virtuoso. what ? Don’t u live in the snares of Web ? Aren’t emoticons and other favicons part of your vocabulary? Systaime dethrones the icons of the webculture as others unbolted the statues of Lenin, Stalin or Moubarak. Without hierarchy nor respect, he copies like crazy, uses and makes and over uses The Internet foklore, that visual culture which did not stop coming out screens down to streets, to fashion, to people.

The French Trash Touch creator mixes the pop culture, net culture, low and high culture. Systaime is an alive embodiment of the flow. The flow? This continuous and almost infinite heap of datas, these datas made with the zero and the one of the digital universe, the basis of all images, videos, sounds circulating on our screens, phones, computers. Lol cats and boobs, same fight! Systaime deteriorates, with the help of his digital scissors, signs, symbols, images, video clips of our network culture.

Systaime moves, opens up, destroys to bring a new breath in his videos, tweetos and other images the spirit of pirates, of pionners of the cyberculture. Brilliantly, shining (like diamonds), glittering and always with a great sense of humor. His life is a flow as his art is a remix of the flow. How to plan the internet flow ? Impossible but for sure Systaime’s exhibition will spot the space.

Systaime exhibits himself and the Web, without licked screen nor trickle of flashy modern media . We will see the anonymous samples of our vernacular contents, we will get our digital addictions slim minced, electronic waste recycled in Systaime way, a theory of thread and paper, frames and other contributions. Systaime does not sort out, he accumulates , grazing politicians by pushing them to silence, spamming like crazy to occupy the net as the space.

The historic agitator who, with his Super Art Modern Museum ( SPAMM), gained widespread acceptance by exposing on-line and in town the Tom Thumbs of the digital culture, from Caracas to Milan, from New York to Brussels, from the Internet to Irl. In the scrubland of signs which he has deposited, each one of us will look for his own way, with Systaime mantras as the only subliminal advices. reject the smooth excess and the quite virtual, forget the ambient digital standardization, choose bricolo-techno rather than the giant of the hi-tech, live the flow!Systaime, it is the anti-system of the art. Systaime, aka Michaël Borras, is a pure shoot of Net, a datamoshing and smash up virtuoso. what ? Don’t u live in the snares of Web ? Aren’t emoticons and other favicons part of your vocabulary? Systaime dethrones the icons of the webculture as others unbolted the statues of Lenin, Stalin or Moubarak. Without hierarchy nor respect, he copies like crazy, uses and makes and over uses The Internet foklore, that visual culture which did not stop coming out screens down to streets, to fashion, to people.

The French Trash Touch creator mixes the pop culture, net culture, low and high culture. Systaime is an alive embodiment of the flow. The flow? This continuous and almost infinite heap of datas, these datas made with the zero and the one of the digital universe, the basis of all images, videos, sounds circulating on our screens, phones, computers. Lol cats and boobs, same fight! Systaime deteriorates, with the help of his digital scissors, signs, symbols, images, video clips of our network culture.

Systaime moves, opens up, destroys to bring a new breath in his videos, tweetos and other images the spirit of pirates, of pionners of the cyberculture. Brilliantly, shining (like diamonds), glittering and always with a great sense of humor. His life is a flow as his art is a remix of the flow. How to plan the internet flow ? Impossible but for sure Systaime’s exhibition will spot the space.

Systaime exhibits himself and the Web, without licked screen nor trickle of flashy modern media . We will see the anonymous samples of our vernacular contents, we will get our digital addictions slim minced, electronic waste recycled in Systaime way, a theory of thread and paper, frames and other contributions. Systaime does not sort out, he accumulates , grazing politicians by pushing them to silence, spamming like crazy to occupy the net as the space.

The historic agitator who, with his Super Art Modern Museum ( SPAMM), gained widespread acceptance by exposing on-line and in town the Tom Thumbs of the digital culture, from Caracas to Milan, from New York to Brussels, from the Internet to Irl. In the scrubland of signs which he has deposited, each one of us will look for his own way, with Systaime mantras as the only subliminal advices. reject the smooth excess and the quite virtual, forget the ambient digital standardization, choose bricolo-techno rather than the giant of the hi-tech, live the flow!Systaime, it is the anti-system of the art. Systaime, aka Michaël Borras, is a pure shoot of Net, a datamoshing and smash up virtuoso. what ? Don’t u live in the snares of Web ? Aren’t emoticons and other favicons part of your vocabulary? Systaime dethrones the icons of the webculture as others unbolted the statues of Lenin, Stalin or Moubarak. Without hierarchy nor respect, he copies like crazy, uses and makes and over uses The Internet foklore, that visual culture which did not stop coming out screens down to streets, to fashion, to people.

The French Trash Touch creator mixes the pop culture, net culture, low and high culture. Systaime is an alive embodiment of the flow. The flow? This continuous and almost infinite heap of datas, these datas made with the zero and the one of the digital universe, the basis of all images, videos, sounds circulating on our screens, phones, computers. Lol cats and boobs, same fight! Systaime deteriorates, with the help of his digital scissors, signs, symbols, images, video clips of our network culture.

Systaime moves, opens up, destroys to bring a new breath in his videos, tweetos and other images the spirit of pirates, of pionners of the cyberculture. Brilliantly, shining (like diamonds), glittering and always with a great sense of humor. His life is a flow as his art is a remix of the flow. How to plan the internet flow ? Impossible but for sure Systaime’s exhibition will spot the space.

Systaime exhibits himself and the Web, without licked screen nor trickle of flashy modern media . We will see the anonymous samples of our vernacular contents, we will get our digital addictions slim minced, electronic waste recycled in Systaime way, a theory of thread and paper, frames and other contributions. Systaime does not sort out, he accumulates , grazing politicians by pushing them to silence, spamming like crazy to occupy the net as the space.

The historic agitator who, with his Super Art Modern Museum ( SPAMM), gained widespread acceptance by exposing on-line and in town the Tom Thumbs of the digital culture, from Caracas to Milan, from New York to Brussels, from the Internet to Irl. In the scrubland of signs which he has deposited, each one of us will look for his own way, with Systaime mantras as the only subliminal advices. reject the smooth excess and the quite virtual, forget the ambient digital standardization, choose bricolo-techno rather than the giant of the hi-tech, live the flow!Systaime, it is the anti-system of the art. Systaime, aka Michaël Borras, is a pure shoot of Net, a datamoshing and smash up virtuoso. what ? Don’t u live in the snares of Web ? Aren’t emoticons and other favicons part of your vocabulary? Systaime dethrones the icons of the webculture as others unbolted the statues of Lenin, Stalin or Moubarak. Without hierarchy nor respect, he copies like crazy, uses and makes and over uses The Internet foklore, that visual culture which did not stop coming out screens down to streets, to fashion, to people.

The French Trash Touch creator mixes the pop culture, net culture, low and high culture. Systaime is an alive embodiment of the flow. The flow? This continuous and almost infinite heap of datas, these datas made with the zero and the one of the digital universe, the basis of all images, videos, sounds circulating on our screens, phones, computers. Lol cats and boobs, same fight! Systaime deteriorates, with the help of his digital scissors, signs, symbols, images, video clips of our network culture.

Systaime moves, opens up, destroys to bring a new breath in his videos, tweetos and other images the spirit of pirates, of pionners of the cyberculture. Brilliantly, shining (like diamonds), glittering and always with a great sense of humor. His life is a flow as his art is a remix of the flow. How to plan the internet flow ? Impossible but for sure Systaime’s exhibition will spot the space.

Systaime exhibits himself and the Web, without licked screen nor trickle of flashy modern media . We will see the anonymous samples of our vernacular contents, we will get our digital addictions slim minced, electronic waste recycled in Systaime way, a theory of thread and paper, frames and other contributions. Systaime does not sort out, he accumulates , grazing politicians by pushing them to silence, spamming like crazy to occupy the net as the space.

The historic agitator who, with his Super Art Modern Museum ( SPAMM), gained widespread acceptance by exposing on-line and in town the Tom Thumbs of the digital culture, from Caracas to Milan, from New York to Brussels, from the Internet to Irl. In the scrubland of signs which he has deposited, each one of us will look for his own way, with Systaime mantras as the only subliminal advices. reject the smooth excess and the quite virtual, forget the ambient digital standardization, choose bricolo-techno rather than the giant of the hi-tech, live the flow!Systaime, it is the anti-system of the art. Systaime, aka Michaël Borras, is a pure shoot of Net, a datamoshing and smash up virtuoso. what ? Don’t u live in the snares of Web ? Aren’t emoticons and other favicons part of your vocabulary? Systaime dethrones the icons of the webculture as others unbolted the statues of Lenin, Stalin or Moubarak. Without hierarchy nor respect, he copies like crazy, uses and makes and over uses The Internet foklore, that visual culture which did not stop coming out screens down to streets, to fashion, to people.

The French Trash Touch creator mixes the pop culture, net culture, low and high culture. Systaime is an alive embodiment of the flow. The flow? This continuous and almost infinite heap of datas, these datas made with the zero and the one of the digital universe, the basis of all images, videos, sounds circulating on our screens, phones, computers. Lol cats and boobs, same fight! Systaime deteriorates, with the help of his digital scissors, signs, symbols, images, video clips of our network culture.

Systaime moves, opens up, destroys to bring a new breath in his videos, tweetos and other images the spirit of pirates, of pionners of the cyberculture. Brilliantly, shining (like diamonds), glittering and always with a great sense of humor. His life is a flow as his art is a remix of the flow. How to plan the internet flow ? Impossible but for sure Systaime’s exhibition will spot the space.

Systaime exhibits himself and the Web, without licked screen nor trickle of flashy modern media . We will see the anonymous samples of our vernacular contents, we will get our digital addictions slim minced, electronic waste recycled in Systaime way, a theory of thread and paper, frames and other contributions. Systaime does not sort out, he accumulates , grazing politicians by pushing them to silence, spamming like crazy to occupy the net as the space.

The historic agitator who, with his Super Art Modern Museum ( SPAMM), gained widespread acceptance by exposing on-line and in town the Tom Thumbs of the digital culture, from Caracas to Milan, from New York to Brussels, from the Internet to Irl. In the scrubland of signs which he has deposited, each one of us will look for his own way, with Systaime mantras as the only subliminal advices. reject the smooth excess and the quite virtual, forget the ambient digital standardization, choose bricolo-techno rather than the giant of the hi-tech, live the flow!
In the end of July, 2013, He organizes with Miyö Van Stenis and Helena Acosta, the exhibition SPAMM Dulce in the museum of contemporary art of Caracas in Venezuela.

 

ENTER